The main feature that differentiates Symphony from Media Composer in file-based workflows is an enhanced color correction toolset. For the sake of simplicity, in this post I’ll stick with the four I see the most.Īvid Technology Media Composer + SymphonyĪlthough it started as a separate NLE product with dedicated hardware, today’s Symphony is really an add-on option to Media Composer. Some of these fall outside of the budget range of small shops or don’t really provide a correction workflow. Certainly there are other options, like Filmlight’s Baselight Editions plug-in, as well as other NLEs with their own powerful color correction tools, including Autodesk Smoke and Quantel Rio. These are the popular desktop color correction systems in use today. In this post, I’ll compare Color, Resolve, SpeedGrade and Symphony. It’s time to talk about color correctors.
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